Valletta Contemporary Exhibition

Fragmented Relics by Sheldon Psaila

Following our visit to Spazju Kreattiv, we attended another exhibition at Valletta Contemporary. However, this particular showcase proved more challenging to comprehend as the narrative seemed scattered, and the project statement employed complex language, making it less accessible for viewers.

In an effort to acquaint myself with the project and grasp the artist's narrative, I read the project statement. However, despite my attempt, I found myself still somewhat confused, as the artist utilized complex language and didn't fully elucidate his narrative, in my opinion.

My initial impression of this exhibition is that the space is noticeably smaller than Spazju Kreattiv. However, this compact setting enhanced the overall narrative, as the exhibition pieces were not large in scale. The smaller size allowed these pieces to assert dominance and captivate the viewer. From my understanding, the exhibition showcased artworks created from natural elements transformed into man-made objects. Various materials, such as wood, stones, an old TV, cyanotypes, and more, were ingeniously utilized in the artistic process.

(The layout of the space)

(Some of the natural stones being exhibited on a stand)

In my interpretation of the artist's work, it appears that he aimed to show the environmental processes and the impact of human activity on the environment. This project has significantly contributed to my own undertaking, which revolves around exploring the textures of both man-made and natural elements and examining their transformations. By delving into this artist's work, a better awareness is generated concerning the natural environment in Malta and prompts reflection on the implications of our actions. It serves as a reminder to consider the steps we are taking and their effects on the environment.

My preferred piece from the exhibition was a sculpture illustrating the transformative impact of water on stone. This particular artwork prompted me to reflect on the dynamic nature of the landscapes I capture through photography. It instilled a sense of pride in my role as a documenter, recognizing that I am capturing scenes that continuously evolve and reshape over time, particularly in the context of the ever-changing seascapes of the Maltese Islands.

Another captivating piece for me was the one depicting small islands, which led me to contemplation on our human scale in the vast expanse of the universe. This artwork served as a powerful reminder of our relative insignificance against the backdrop of the immense universe.

In my overall assessment, I sensed that the exhibition had certain shortcomings, preventing full immersion and encouraging viewers to merely glance around. Several factors contributed to this experience, such as the absence of a pronounced "wow" factor in certain artworks, some pieces seeming inadequately conceptualized, and a lack of continuity throughout the exhibition. These aspects collectively diminished the cohesiveness and impact of the display, requiring the viewer to navigate rather than become fully absorbed in the artistic narrative.