Choosing the Right Photographic Paper & the Final Outcome Process

In my final presentation of the work, I approached it as if it were an actual exhibition. First, I began by reading the statement of intent, providing the viewers with a clearer understanding of the narrative behind the collection. Then, I discussed my overall approach, aiming to make the viewing experience more accessible and enjoyable for the audience.

Following that, I individually presented each image along with its name and the narrative behind it. This approach aimed to enhance the viewers' awareness of the entire collection. Judging by their body language, it was evident that they were genuinely interested in the concept.

[Close up of lustre paper, showing the texture and semi gloss finish]

In the concluding part of the presentation, I elaborated on the choice of paper, opting for lustre due to its similarity to fine art baryta, a preference I would pursue with adequate funds. I drew inspiration from Therese Debono and Joe P. Smith's exhibition spaces in suspension. Additionally, I expressed my desire to print these images life-size to provide viewers with a more immersive experience, allowing them to observe the textures more closely, especially given the painterly effect that baryta lends to the images.

In summary, this exhibition practice proved to be very helpful, serving as a valuable introduction to the expectations for our upcoming thesis exhibition next semester.